BSO Tchaikovsky, Stravinsky et al

I particularly liked the Tchaikovsky Francesca da Rimini, and am looking forward to hearing more Tchaikovsky soon. The Stravinsky Capriccio for Piano and Orchestra was engaging, though I'd have to listen to it again, I think, to have a clearer idea of the program notes' assertion that the influence of Tchaikovsky is all of it.

The Martinu (Frescoes of Piero della Francesca) and Thomas (Helios Choros II) were missable. In particular, while there were a couple of engaging short moments in the Thomas, it repeatedly reminded me of my dislike and dismissiveness of recent "bleep-bop" art music -- that to me sounds like a series of pairs of pitch-harmony-timbre clusters coming helter skelter one after another. *sigh* Fortunately, the concert ended with the Tchaikovsky.